What was it like to have that kind of an experience? He really is the one who did the heavy lifting. He was there for production in London, for all those months during the height of the pandemic. They were incredibly patient with my very steep learning curve, both in terms of the sci-fi world and that this was my first TV production. I had many conversations with Lisa and Jonah, where I was like, “Okay, good luck.” And they were like, “No, no, no.” They’re so smart. I thought I would do that here, but the TV world doesn’t work that way. My film worldview was that you hand over the script, and they shove you out the door, and I was comfortable with that. SMITH: I wrote some fiction, and then I did some indie screenplays. While Flynne uncovers the mystery of the Sim and the dangerous information it contains, she realizes that she must find a way to protect herself and her family before it’s too late.ĭuring this 1-on-1 interview with Collider, executive producer Smith talked about how he became a part of this creative team, why this needed to be a TV series and not a movie, figuring out how to end the season, what Moretz brought to the role of Flynne, watching the character relationships form during the shoot, how one of their most colorful episode titles came to be, and whether they’re hoping to do more seasons.ĭid you write this with the idea that you would also be the showrunner for it? Smith, and executive produced by Jonathan Nolan and Lisa Joy, the Amazon Studios original series The Peripheral follows Flynne Fisher ( Chloë Grace Moretz) and her brother Burton ( Jack Reynor) in their life in small town America in 2032, as they venture deeper and further into a simulation set in post-apocalyptic future London. Based on the novel by William Gibson, created for television by Scott B.
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